" Milon’s shift to analogue photography reflects his desire to depart from an overt dependence on the convenience of digital photography as well as to challenge our tendency towards instant gratification. By pairing film images of vast, obscure landscapes, paths without resolution and uncomfortable textures against inadvertently incomplete and damaged images that fail to capture what was initially intended, Milon encourages the viewer to pause and inspect the work.

Through this process, he hopes to subvert the seemingly immediate visual quality of photography by forcing the viewer into introspection, urging them to carve out for themselves an independent, albeit temporal narrative of what is in front of them. Milon’s work prompts us to rethink our viewing in itself, as well as to revise our perception of the medium of photography and our inclinations as consumers. "

City

Granada/Seville/Ronda/Malaga

Cornwall, UK